Underpaintings

 

You may email Barry here:
bkarrh@hotmail.com
 

 

Dedication of the Temple

Dedication of the Temple, Oil on Canvas, Framed, 36x24 Akhenaton stands dedicating the temple at his new capital, while Nefertiti stands for support at his left, and the priests of the old ways stand to threaten him at the right.  The scribe sits and waits to carve the name of the pharaoh, just to see how long he may remain enthroned; his overseer waits for his chance to claim the scepter and crown.  These figures are from a literature study on Tutankhamen.  $1100.00

 

Classical Study 5 Figure
Classical Study of Five Figures, Oil on Canvas, Framed, 48x24 Burnt Umber Underpainting which accentuates the central figure; this piece draws the eye to the female who seems to be the binding figure amongst the four male personas. $1300.00
 

Please click on thumbnails to see larger view.
 

Underpaintings were used by Van Eyck, in the early 15th century, he explored the medium within the linear conventions of tempera; first making a detailed drawing in gesso then building up layers of transparent oil glazes.

 
The technique was popularized in Italy by the Sicilian painter Antonello da Messina and was used throughout the Renaissance. The Venetians applied the technique to canvas, which provided much more versatility. They developed a freer style based on a rough monochrome painting in tempera, which was then glazed with colors mixed to the consistency of ink. Once the painting had dried, it is varnished to protect it from dirt and to enrich the color.

 

Academic painters of the 18th and 19th centuries did underpainting in black and grey oil, and repainted in color. The range of colors was limited however, and many have faded. In the 19th century, developments in chemistry produced new and brilliant pigments that keep paint fresh longer. Thus painters use impasto, and underpainting has virtually disappeared.


Today underpaintings are done in translucent colors like Burt Umber and Burnt Sienna mixed with white to create varying hues. When the color washes are applied, the warmth of the underpainting offers a glow that helps to recreate life. For the frugal artist, it also allows the painter to use the more expensive colors in smaller quantity

 

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